Overgrown with vegetation, a stone dharmasala, or rest house, lies outside one of the entrances to Banteay Chhmar in Cambodia, about 65 miles from Angkor Wat.
Behind the Banteay Chhmar temple, carved human features can still be discerned.
Bodies sink into the watery depths during a naval battle depicted in temple bas-reliefs from the 12th century.
Sunday, October 4, 2009
It's early on a Sunday morning in Cambodia, and I'm standing at a 12th-century moat. Traces of mist hover above the lotus leaves that dapple...
By John Burgess
The Washington Post
(Post by CAAI News Media)
It's early on a Sunday morning in Cambodia, and I'm standing at a 12th-century moat. Traces of mist hover above the lotus leaves that dapple the water. Across a causeway, through a tumbled-down gate, lies Banteay Chhmar, one of the largest temples ever built by the ancient Khmer Empire. My friends and I are going to have the place all to ourselves.
We walk in. It turns out that we do end up sharing it, with a local man who brings his cows onto the grounds to graze. And with an affable mason who leads us across acres of fallen stone to see a message from the past, an inscription chiseled into the doorjamb of a holy tower. This kind of company we welcome.
Cambodia's great temples of Angkor, 65 miles away, have long since been rediscovered after a quarter-century of closure by war. They now draw more than a million foreign visitors a year, not a few of whom regret that so many other people had the same idea. At peak hours, human traffic jams can form at temple steps once reserved for kings and priests.
But go beyond Angkor and you can find places that serve up the old solitude and sense of discovery. You can explore at your own pace, to the sounds of birds and the breeze that stirs the leaves overhead.
Banteay Chhmar is among the most spectacular of these places. Getting to it entails hours on very bumpy and dusty dirt roads. Staying the night means making do with primitive accommodations: candlelit rooms in local homes, bath water drawn from a moat.
I stayed the night, and it turned out to really make the visit. The next morning I rose early, as everyone here does, and took a walk in clean country air. I passed mother hens foraging with their chicks, boys tending to a mud oven in which charcoal was being made. I was seeing not only a temple but a way of life.
Today several thousand people — rice farmers, cattle herders, market vendors — make their homes on all four sides of the temple. They grow vegetables on the banks of a series of moats; they pile straw within the walls of lesser ancient buildings that dot their settlement. The ancient and present day coexist.
Banteay Chhmar was created in the Khmer Empire's last great burst of construction, under the 12th-century Buddhist king Jayavarman VII. His engineers were thinking big even by Khmer standards: To contain a great settlement, they built earthworks and moats that formed a square measuring roughly one mile on each side. At its center, within another square moat system half a mile on each side, they built the temple.
More than a century ago, French archaeologist Etienne Aymonier found the temple to be in a state of "indescribable ruin." It still is, despite the efforts of that friendly mason, who is part of a small reconstruction team. But that's part of what makes the site so enticing. Exploring it means climbing over huge piles of large fallen stones, something to be tackled by only the sure-footed. We passed ruined towers, courtyards and ceremonial walkways. Sometimes the stones were so high that we were walking at roof level.
The temple is no longer a formal religious site, but Cambodians believe that it, like all those that their forebears left behind, remains a holy site. In one surviving chamber we found a small contemporary shrine, with a Buddha image wearing a cloth robe, where people made incense offerings. When rain is needed, local people are reported to walk in a procession around the temple, imploring heaven to help.
One of the best parts of this temple is the many hundreds of feet of bas-reliefs on its outer walls. We had to scramble up more stones to get a good view. Before us was a full sample of life 900 years ago: processions of elephants, prominent ladies tended by maids, children roughhousing, villagers in a sampan, servants tending a stove.
There were also many scenes of war with Champa, the long-vanished rival state to the east: The temple is in large part a memorial to four generals who lost their lives in that long conflict. There are also images of the divine, notably the god Vishnu, with 32 arms arrayed like rays of light emanating from the sun.
The carving style is similar to that of the Bayon temple reliefs in Angkor. The difference is there's no need to fight for a view. We did cross paths for a few minutes our first day with a party of about 20 French-speaking tourists. We saw no other visitors that day or the next.
Late in the afternoon, we went for a look at what the ancient Khmers could do with water. Just east of the temple, they created a reservoir that measures roughly a mile by a half-mile. Academics disagree over whether this body, and others like it, did only symbolic duty as earthly stand-ins for the mythic Sea of Creation, or were part of a vast irrigation system, or both. Whatever the truth, I was awed by the scale.
I passed the night at the house of a Cambodian family, friends of a friend. They couldn't have been more gracious. They gave me a room of my own, bottled water, mosquito coils and a big luxury: a car battery hooked to a fluorescent light. I could have light all night if I wanted it.
Other members of our party slept at a formal homestay, the term given to guesthouses as well as family homes that accept paying guests, a few steps from the temple's gate. It had two rooms with large beds covered by mosquito nets. Downstairs there was a basic bathroom with a squat toilet and scoop bath.
Staying the night brought another cultural experience. A festival was going on nearby, and its amplified music carried into my room as I sat reading. Then around 10 p.m., silence. Private generators don't run all night, even for a celebration.
I got up at dawn, scoop-bathed in slightly murky water and walked to the moat from which it had been drawn. I took in the early-morning sights: the mist, dogs prowling around in first light.
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